Drawing: a lived mark
push and pull leaving a mark, gesture, rhythm and repetition,
back and front of clay tablet by Sienna age 6


Drawing: a lived mark
push and pull leaving a mark, gesture, rhythm and repetition,
back and front of clay tablet by Sienna age 6



* Affective Entities Exhibition curated by Sarah Kelleher, Rachel Doolin and Ann Mechelinck Wandesford Quay Gallery 2016
Scribble on damp paper found today amongst papers in studio…. 6 months ago.
Two currents one trapped in the paper bleeding through from the reverse, we know this from reading, the ability to read, the printed text bleeding into the paper a series of lines. Drawn over is some handwriting, hastily made between, on and over blue bled lines, scrawled observations from the curation of an exhibition
reads:
Aitlean
broom lightening
trapped moment trapped
in burnt wood charcoal form
A memory – neuropaths flashed branches reach out go where?
somehow light up the air – etch their paths’
trajectories a scramble a pointing a
collapsing
into the frozen tangle before me
elsewhere
pin pricks in paper, marking off days,
like the fabric pieces punctuating surface
orderly ordered rhythmic like the contents
of the collapsed bag – a photo of frozen breast
milk speaking volumes for a life that wasn’t
to be
the other forms now appear fetal, those thick glazed animal forms, not fully formed, or lacking edges, details that might delineate something not quite living
living on
adjustments to text carried out later in response to writing, drawing writing, making writing, reading writing, making sense, rewriting, redrawn
In the balance, gatherings, piles of (un)remembered desire ~ melancholia after Durer. Repossession and persistence. Contamination, anthropocene, monument.



Witness:
Remnants from a process stare back, they were there, they tell us little.
Cube containers, harbouring moulds, so live, accumulating, reaching out of the fruits


Sex, drugs, rock’n’roll, dancing: all the things we like doing are about surrender.
Brian Eno
Working on elements for new film

Louise Bourgois The Couple 2002 seen at Imma: What we call Love: from surrealism till now 6th February 2016
Memory is the trace of a wave goodbye made with a slightly clenched fist.
Robert Morris
turn turn turn – drawing, 130 x 180mm pen and ink 2016