





Drawing is a way of exploring the subject/object relationship. The method is both a meditation, and an invocation – a ritualistic way of loosening ties allowing an exchange of position.
Printmaking yields further ‘contamination’ – an introduction of a third element – the process of transferal from one surface to another mimics/reverses/mirrors the exchange that occurs during drawing. A process involving layering offers potential for opacity and transparency, covering and revealing and unpremeditated encounters on the surface.
















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